64 Chan­nel Solid Sta­te Logic 4000G

MONITORING

Gen­elec 1034 A
Yama­ha NS 10
Auratones

MONITORING SURROUND UP TO 7.1

Gen­elec 1031 A
Sub­woo­fer: DynAu­dio­A­cou­stics BX30

TAPE MACHINES

Ota­ri Mtr 90
Stu­der D827 MCH MK II

DIGITAL

Mac Pro with Pro Tools HD 11 and HD I/O Inter­faces and Sync HD
Ana­lo­gue: 64 in 64 out
Digi­tal: 32 in
D‑Command Mas­ter and addi­tio­nal Fader unit
SSL Nucleus
Mac Pro with Logic 9 and Motu Inter­faces (24 I/O and Motu 2408)

Fairch­ild 670
ADR Compex F760X-RS
Urei 1176 LN
Urei LA-3A
Urei 1178
Draw­mer 1960
DBX 160A
Sony DAL 1000
Sym­e­trix 501
Sym­e­trix CL 150
Audio Design F601-RS
Audio Design D 60-RS

REVERBS + FX

EMT 140 Ste­reo (Solid State)
EMT 140 Mono(Tube)
Quan­tec QRS
AMS rmx 16
AMS dmx 15–80s
Lexi­con 480 with LARC
Lexi­con 224 with LARC
Lexi­con Prime Time
Lexi­con PCM 70
tc elec­tro­nic TC 2290
Korg SDD 3000
Iba­nez AD-230
Event­i­de H 949
Event­i­de H 3000
Enso­niq DP/4+
Yama­ha SPX90 II
Yama­ha SPX 1000
Yama­ha REV 5
Roland Dimen­si­on D SDD-320
Draw­mer DS 201 Dual Gate EQUALIZER
Tube Tech ME 1 A
Tube Tech PE 1 B PREAMPS
Focus­ri­te ISA 110
Lunchbox
Sum­mit Audio Inc. TPA 200