Audio Division
Our audio division consists of three different studios, each one designed for a special purpose and all intertwined so you can finish here what was started over there. Mixing, preproduction, synchronization, composition and conversion – for each operation you’ll find the right set-up.
We’d like to draw your attention to Studio 3 where the best of both worlds go together well – the so longed for ’warmth’ of analog recordings and the modern day approach of digital command.
Studio 1, a unique place of Instruments:
In our newly renovated Studio 1, there is now a veritable treasure trove of keyboard instruments – Very Vintage and Digital / Analog, as well as drums, guitars, basses and various percussion instruments. Monitoring with ADAM SX3V, SSL Nucleus Controller, Logic Pro, MacBook Pro etc. may not be missing.
Available Instruments
Hammond A‑100
Leslie 122, 145, 147
Leslie PreAmp II
Fender Rhodes Suitcase 88
Nord C‑1 Combo Organ
Steinway Flügel S‑155
Steinway Upright Piano
Mellotron
Hohner Clavinet D‑6
Yamaha KX5
MiniNova
Waldorf Blofeld Keyboard
Korg DW-8000
Roland SP-700 Sampleplayer
Roland S‑760 Sampler
NI B4
Korg P3 Pianomodul
Yamaha KX88
Roland FP‑7 Digitalpiano
Recording Room Studio 3
The recording room of Studio III is a magical place. It’s not its size (100 sqm, 5,50 m high), it’s – as a resultat of intense acoustic work – its sound quality. According to requirements the sound characteristic can be changed. Curtains will’mute’ the room and make it sound dry. Without the curtains one has more repercussion and echo. Here at Studio III the Scorpions recorded the lion’s share of their most important albums, especially Rarebell’s drum sound owes a lot to this recording room. Suffice to say that there is room enough for rock bands but also for small orchestra and even audience if need be.
Control Room Studio 3
Technical Description Control Room
MIXING CONSOLE
64 Channel Solid State Logic 4000G
MONITORING
Genelec 1034 A
Yamaha NS 10
AuratonesMONITORING SURROUND UP TO 7.1
Genelec 1031 A
Subwoofer: DynAudioAcoustics BX30
TAPE MACHINES
Otari Mtr 90
Studer D827 MCH MK II
DIGITAL
Mac Pro with Pro Tools HD 11 and HD I/O Interfaces and Sync HD
Analogue: 64 in 64 out
Digital: 32 in
D‑Command Master and additional Fader unit
SSL Nucleus
Mac Pro with Logic 9 and Motu Interfaces (24 I/O and Motu 2408)
PREAMPS + EQ
Focusrite ISA 110
Lunchbox
Summit Audio Inc. TPA 200
Drawmer DS 201 Dual Gate EQUALIZER
Tube Tech ME 1 A
Tube Tech PE 1 B
DYNAMICS
Fairchild 670
ADR Compex F760X-RS
Urei 1176 LN
Urei LA-3A
Urei 1178
Drawmer 1960
DBX 160A
Sony DAL 1000
Symetrix 501
Symetrix CL 150
Audio Design F601-RS
Audio Design D 60-RS
REVERBS + FX
EMT 140 Stereo (Solid State)
EMT 140 Mono(Tube)
Quantec QRS
AMS rmx 16
AMS dmx 15–80s
Lexicon 480 with LARC
Lexicon 224 with LARC
Lexicon Prime Time
Lexicon PCM 70
tc electronic TC 2290
Korg SDD 3000
Ibanez AD-230
Eventide H 949
Eventide H 3000
Ensoniq DP/4+
Yamaha SPX90 II
Yamaha SPX 1000
Yamaha REV 5
Roland Dimension D SDD-320